Tokyo Idols (2017) is a fascinating look at the idol culture in Japan. Directed by Kyoko Miyake it mostly follows an older (19) idol called Rio and her fans. The documentary confronts the creepiness of older men who find it too much work to have real relationships with women, but also shows their vulnerable side. These men spend all their savings on following idols and it gives them a sense of belonging. Miyake shows how the men (and some women) form fan clubs and follow their idol. It shows the constrained hand-shake meetings and photo opportunities that they pay for. It makes the connection to otaku culture and Akihabara.
The documentary nicely shows what it is like for the hard-working idols. For Rio it is a full time job, she has to practice, she has daily live sessions on the internet and she even packages up the schwag she sells. She even goes cycling around Japan (with live internet connection?) in order to connect to fans outside of Tokyo and to try to boost her popularity. As this TOKYO IDOLS review points out, you can’t help rooting for her.
What the documentary doesn’t cover much is the big idol stables like AKB48. Rio manages herself, but most idols are managed by professionals. I would have liked to learn more about that side of the business.
50 years ago on October 29th, 1969 was when the first two nodes of the ARPANET are supposed to have connected. There are, of course, all sorts of caveats, but it seems to have been one of the first times someone remote log in from one location to another on what became the internet. Gizmodo has an interview with Bradley Fidler on the history that is worth reading.
Remote access was one of the reasons the internet was funded by the US government. They didn’t want to give everyone their own computer. Instead the internet (ARPANET) would let people use the computers of others remotely (See Hafner & Lyon 1996).
Like many, I learned to program multimedia in HyperCard. I even ended up teaching it to faculty and teachers at the University of Toronto. It was a great starting development environment with a mix of graphical tools, hypertext tools and a verbose programming language. It’s only (and major) flaw was that it wasn’t designed to create networked information. HyperCard Stacks has to be passed around on disks. The web made possible a networked hypertext environment that solved the distribution problems of the 1980s. One wonders why Apple (or someone else) doesn’t bring it back in an updated and networked form. I guess that is what the Internet Archive is doing.
Formality* is an interactive in browser art work about filling out forms to apply to “The Neighbourhood”. Formality* was developed in HyperCard by Ewan Atkinson and plays with the retro development environment. Having spent a lot of time on HyperCard I loved Atkinson’s use of the environment – he even has agents that can advise you (reminiscent of Brenda Laurel’s work). Formality* is part of a larger work called The Neighbourhood Project – it makes you wonder about how one becomes part of communities and the processes of applying to belong.
The bot follows all women candidates in the election and uses some sort of AI or sentiment detection to identify nasty tweets aimed at them and then responds with a positive message from a collection crowdsources from the public. What isn’t clear is if the positive message is sent to the offending tweeter or just posted generally?
ParityBOT was developed by ParityYEG which is a collaboration between the Alberta Machine Intelligence Institute and scientist Kory Mathewson.
On the Humanist discussion list John Keating recommended the short video Slaughterbots that presents a plausible scenario where autonomous drones are used to target dissent using social media data. Watch it! It is well done and presents real issues in a credible short video.
While the short is really about autonomous weapons and the need to ban them, I note that one of ideas included is that dissent could be silenced by using social media to target people. The scenario imagines that university students who shared a dissenting video on social media have their data harvested (including images of their faces) and the drones target them using face recognition. Science fiction, but suggestive of how social media presence can be used for control.
Deepak Unnikrishnan’s story collection, “Temporary People,” riffs on the plight of South Asian guest workers in the Gulf states.
I’ve just finished Deepak Unnikrishnan’s collection of interwoven stories, Temporary People (Restless Books, 2017). The stories are about the lives of the immigrant workers in the Emirates. They tell mostly of those from Kerala – those who come and return. The style is rude and magical in a way that conveys the brutal conditions of many migrant workers in the Gulph. The New York Times has a good review, Stories of Fragmented Lives in the Emirates.
Legislators and tech companies are finally working to protect women from receiving unwanted sexually explicit images online – will it work?
The war on (unwanted) dick pics has begun according to a Guardian article about a web developer who asked people to send her “dick pics” so she could train a machine to recognize them and deal with them. The Guardian rightly asks why tech-companies don’t provide more tools for users to deal with harassing messages.
The goal of Lincs is to create a shared linked data store that humanities projects can draw on and contribute to. This would let us link our digital resources in ways that create new intellectual connections and that allow us to reason about linked data.