When you go to YouTube now in Canada, a notice from the Public Health Agency of Canada pops up inviting you to Learn More from a reliable source. This strikes me a great way to encourage people to get their information from a reliable source rather than wallow in fake news online. This is particularly true of YouTube that is one of the facilitators of fake news.
More generally it shows an alternative way that social media platforms can fight fake news on key issues. They can work with governments to put appropriate information before people.
Further, the Learn More links to a government site with a wealth of information and links. Had it just been a short feel good message with a bit of advice, the site probably wouldn’t work to distract people towards reliable information. Instead the site has enough depth that one could spend a lot of time and get a satisfying picture. This is what one needs to fight fake news in a time of obsession – plenty of true news for the obsessed.
Scooters have come to Edmonton. Both Bird and Lime dumped hundreds of scooters in my neighbourhood just before the Fringe festival. Users are supposed to use bike lanes and shared-use paths, but of course they tend to use sidewalks. Fortunately most people using them seem to tying them for a lark rather than seriously trying to get somewhere.
I can’t help thinking this business is a bit like the Segway (a company apparently making money now selling the scooters) – a great concept that appeals to venture capital, but not something that will work economically. For example, what will happen in the winter? Will the companies leave them around in the snow or pack them up for the season?
Isabelle Van Grimde gave the opening talk at Dyscorpia on her work, including projects like The Body in Question(s). In another project Les Gestes, she collaborated with the McGill IDMIL lab who developed digital musical instruments for the dancers to wear and dance/play.
Van Grimde’s company Corps Secrets has the challenge of creating dances that can travel which means that the technologies/instruments have to . They use intergenerational casts (the elderly or children.) They are now working with sensors more than instruments so the dancers are free of equipment.
There was a striking difference in style — and substance.
Vox has a nice interactive visualization of Every time Ford and Kavanaugh dodged a question, in one chart. The two visualizations, one for Ford and one for Kavanaugh, show at a glance how the latter dodged a lot more questions. You can click on the sections which are marked as dodgy and see the full text. Nice clear use of visualization to tell a larger story and let the user explore.
Waymo, the Google spin-off, is bringing autonomous taxis to Phoenix this fall. Other companies are developing shuttles and other types of pods that work, Self-driving pods are slow, boring, and weird-looking — and that’s a good thing. It seems to me that there hasn’t really been a discussion about what would benefit society. Companies will invest in where they see economic opportunity; but what should we as a society do with such technology? At the moment the technology seems to be used either in luxury cars to provide assistance to the driver or imagined to replace taxi and Uber drivers. What will happen to these drivers?
The New York Times has a nice article about how, Robert Taylor, Innovator Who Shaped Modern Computing, Dies at 85. As director of the Information Processing Techniques Office, part of the Advanced Research Projects Agency, Taylor commissioned the development of what became the ARPANET and then Internet. He later led the group at Xerox PARC that developed the Alto computer, a early imagining of what personal computing could be. He also supported J.C.R. Licklider and wrote a paper on The Computer as a Communication Device with him. That paper starts with,
In a few years, men will be able to communicate more effectively through a machine than face to face.
The British Council has developed a bilingual (English/Turkish) digital exhibit of British Art. The exhibit remediates the gallery/museum as interface, which is not new, but the designers have included other visitors moving around, looking at art and so on. It gives it a more human feel. That said, I found it harder to actually get to the art. I couldn’t move from painting on the wall to the next one without stepping back and then in.
The Canadian Writing Research Collaboratory (CWRC) today launched its Collaboratory. The Collaboratory is a distributed editing environment that allows projects to edit scholarly electronic texts (using CWRC Writer), manage editorial workflows, and publish collections. There are also links to other tools like CWRC Catalogue and Voyant (that I am involved in.) There is an impressive set of projects already featured in CWRC, but it is open to new projects and designed to help them.
Susan Brown deserves a lot of credit for imagining this, writing the CFI (and other) proposals, leading the development and now managing the release. I hope it gets used as it is a fabulous layer of infrastructure designed by scholars for scholars.
One important component in CWRC is CWRC-Writer, an in-browser XML editor that can be hooked into content management systems like the CWRC back-end. It allows for stand-off markup and connects to entity databases for tagging entities in standardized ways.