Predatory community

Projects that seek to create new communities of marginalized people to draw them in to risky speculative markets rife with scams and fraud are demonstrating

Through a Washington Post article I discovered Molly White who has been documenting the alt-right and now the crypto community. She has a blog at Molly White and a site that documents the problems of crypto at Web3 is going just great. There is, of course, a connection between the alt-right and crypto broculture, something that she talks about in posts like Predatory community which is about crypto promotions try to build community and are now playing the inclusive card – aiming at marginalized communities and trying to convince them that now they can get in on the action and build community. She calls this “predatory community.”

Groups that operate under the guise of inclusion, regardless of their intentions, are serving the greater goal of crypto that keeps the whole thing afloat: finding ever more fools to buy in so that the early investors can take their profits. And it is those latecomers who are left holding the bag in the end.

With projects that seek to provide services and opportunities to members of marginalized groups who have previously not had access, but on bad terms that ultimately disadvantaged them, we see predatory inclusion.22 With projects that seek to create new communities of marginalized people to draw them in to risky speculative markets rife with scams and fraud, we are now seeing predatory community.

The Universal Paperclips Game

Just finished playing the Universal Paperclips game which was surprisingly fun. It took me about 3.5 hours to get to sentience. The idea of the game is that you are an AI running a paperclip company and you make decisions and investments. The game was inspired by the philosopher Nick Bostrom‘s paperclip maximizer thought experiment which shows the risk that some harmless AI that controls the making of paperclips might evolve into an AGI (Artificial General Intelligence) and pose a risk to us. It might even convert all the resources of the universe into paperclips. The original thought experiment is in Bostrom’s paper Ethical Issues in Advanced Artificial Intelligence to illustrate the point that “Artificial intellects need not have humanlike motives.”

Human are rarely willing slaves, but there is nothing implausible about the idea of a superintelligence having as its supergoal to serve humanity or some particular human, with no desire whatsoever to revolt or to “liberate” itself. It also seems perfectly possible to have a superintelligence whose sole goal is something completely arbitrary, such as to manufacture as many paperclips as possible, and who would resist with all its might any attempt to alter this goal. For better or worse, artificial intellects need not share our human motivational tendencies.

The game is rather addictive despite having a simple interface where all you can do is click on buttons making decisions. The decisions you get to make change over time and there are different panels that open up for exploration.

I learned about the game from an interesting blog entry by David Rosenthal on how It Isn’t About The Technology which is a response to enthusiasm about Web 3.0 and decentralized technologies (blockchain) and how they might save us, to which Rosenthal responds that it is isn’t about the technology.

One of the more interesting ideas that Rosenthal mentions is from Charles Stross’s keynote for the 34th Chaos Communications Congress to the effect that businesses are “slow AIs”. Corporations are machines that, like the paperclip maximizer, are self-optimizing and evolve until they are dangerous – something we are seeing with Google and Facebook.

The Best of Voyager, Part 1

The Digital Antiquarian has posted the first part of a multipart essay on The Best of Voyager, Part 1. The Voyager Company was a pioneer in the development and distribution of interactive CD-ROMs in the 1990s. They published a number of classics like Amanda Stories, Beethoven’s Ninth Symphony CD-ROM, and Poetry in Motion. They also published some hybrid laserdisc/software combinations like The National Gallery of Art.

Unlike the multimedia experiments coming out of university labs, these CD-ROMs were designed to be commercial products and did sell. I remember ordering a number for the University Toronto Computing Services so we could show what multimedia could do. They were some of the first products to show in a compelling way how interactivity could make a difference. Many included interactive audio, like the Beethoven one, others used Quicktime (digital video) for the first time.

All of this was, to some extent, made anachronistic when the web took off and began to incorporate multimedia effectively. Voyager set the scene remediating earlier works (like the short film of A Hard Day’s Night). But CD-ROMs were, in their turn, replaced.

My favourite was The Residents Freak Show. This was a strange 3D-like tour of the music of The Residents that was organized around a freak show motif.

Thanks to Peter for this.

Blogging your research: Tips for getting started

Curious about research blogging, but not sure where to start?

Alice Fleerackersand Lupin Battersby of the ScholCommLab have put together a good post on Blogging your research: Tips for getting started. Despite being committed to blogging (this blog has been going since 2003) I must admit that I’m not sure blogging has the impact it once had. Twitter seems to have replaced blogging as a way to quickly share and follow research. Blog platforms, like WordPress have become project news and promotion systems.

What few talk about is how blogging can be a way of journaling for oneself. My blog certainly serves as a form of memory by and for myself. If only I search it (which I often do when I’m looking for information about something I knew but forgot) then it is still useful. Does everything in academia have to be about promotion and public impact?

In this age of fake news we seem to be back in the situation that Socrates and Gorgias sparred about in Plato’s Gorgias. Gorgias makes the point that the orator or, in today’s terms the communications specialist, can be more convincing than the scholar because they know how to “communicate”.

Socrates: Then the case is the same in all the other arts for the orator and his rhetoric: there is no need to know [459c] the truth of the actual matters, but one merely needs to have discovered some device of persuasion which will make one appear to those who do not know to know better than those who know.

Gorgias: Well, and is it not a great convenience, Socrates, to make oneself a match for the professionals by learning just this single art and omitting all the others? (Gorgias 459a)

It certainly feels like today there is a positive distrust of expertise such that the blatant lie, if repeated often enough, can convince those who want to hear the lie. Does communicating about our research have the beneficial effect we hope it does? Or, does it inflate our bubble without touching that of others?

Why basing universities on digital platforms will lead to their demise – Infolet

I’m republishing here a blog essay originally in Italian that Domenico Fiormonte posted on Infolet that is worth reading,

Why basing universities on digital platforms will lead to their demise

By Domenico Fiormonte

(All links removed. They can be found in the original post – English Translation by Desmond Schmidt)

A group of professors from Italian universities have written an open letter on the consequences of using proprietary digital platforms in distance learning. They hope that a discussion on the future of education will begin as soon as possible and that the investments discussed in recent weeks will be used to create a public digital infrastructure for schools and universities.


Dear colleagues and students,

as you already know, since the COVID-19 emergency began, Italian schools and universities have relied on proprietary platforms and tools for distance learning (including exams), which are mostly produced by the “GAFAM” group of companies (Google, Apple, Facebook, Microsoft and Amazon). There are a few exceptions, such as the Politecnico di Torino, which has adopted instead its own custom-built solutions. However, on July 16, 2020 the European Court of Justice issued a very important ruling, which essentially says that US companies do not guarantee user privacy in accordance with the European General Data Protection Regulation (GDPR). As a result, all data transfers from the EU to the United States must be regarded as non-compliant with this regulation, and are therefore illegal.

A debate on this issue is currently underway in the EU, and the European Authority has explicitly invited “institutions, offices, agencies and organizations of the European Union to avoid transfers of personal data to the United States for new procedures or when securing new contracts with service providers.” In fact the Irish Authority has explicitly banned the transfer of Facebook user data to the United States. Finally, some studies underline how the majority of commercial platforms used during the “educational emergency” (primarily G-Suite) pose serious legal problems and represent a “systematic violation of the principles of transparency.”

In this difficult situation, various organizations, including (as stated below) some university professors, are trying to help Italian schools and universities comply with the ruling. They do so in the interests not only of the institutions themselves, but also of teachers and students, who have the right to study, teach and discuss without being surveilled, profiled and catalogued. The inherent risks in outsourcing teaching to multinational companies, who can do as they please with our data, are not only cultural or economic, but also legal: anyone, in this situation, could complain to the privacy authority to the detriment of the institution for which they are working.

However, the question goes beyond our own right, or that of our students, to privacy. In the renewed COVID emergency we know that there are enormous economic interests at stake, and the digital platforms, which in recent months have increased their turnover (see the study published in October by Mediobanca), now have the power to shape the future of education around the world. An example is what is happening in Italian schools with the national “Smart Class” project, financed with EU funds by the Ministry of Education. This is a package of “integrated teaching” where Pearson contributes the content for all the subjects, Google provides the software, and the hardware is the Acer Chromebook. (Incidentally, Pearson is the second largest publisher in the world, with a turnover of more than 4.5 billion euros in 2018.) And for the schools that join, it is not possible to buy other products.

Finally, although it may seem like science fiction, in addition to stabilizing proprietary distance learning as an “offer”, there is already talk of using artificial intelligence to “support” teachers in their work.

For all these reasons, a group of professors from various Italian universities decided to take action. Our initiative is not currently aimed at presenting an immediate complaint to the data protection officer, but at avoiding it, by allowing teachers and students to create spaces for discussion and encourage them to make choices that combine their freedom of teaching with their right to study. Only if the institutional response is insufficient or absent, we will register, as a last resort, a complaint to the national privacy authority. In this case the first step will be to exploit the “flaw” opened by the EU court ruling to push the Italian privacy authority to intervene (indeed, the former President, Antonello Soro, had already done so, but received no response). The purpose of these actions is certainly not to “block” the platforms that provide distance learning and those who use them, but to push the government to finally invest in the creation of a public infrastructure based on free software for scientific communication and teaching (on the model of what is proposed here and
which is already a reality for example in France, Spain and other European countries).

As we said above, before appealing to the national authority, a preliminary stage is necessary. Everyone must write to the data protection officer (DPO) requesting some information (attached here is the facsimile of the form for teachers we have prepared). If no response is received within thirty days, or if the response is considered unsatisfactory, we can proceed with the complaint to the national authority. At that point, the conversation will change, because the complaint to the national authority can be made not only by individuals, but also by groups or associations. It is important to emphasize that, even in this avoidable scenario, the question to the data controller is not necessarily a “protest” against the institution, but an attempt to turn it into a better working and study environment for everyone, conforming to European standards.

TEXT-MODE: Tumblr about text art

“A dude”, 1886. Published in the poetry section of the January issue of The Undergraduate, Middlebury’s newspaper.

From Pinterest I came across this great tumblr called Text Mode gathers “A collection of text graphics and related works, stretching back thousands of years.” Note the image above of a visual poem about “A Dude” from 1886. Included are all sorts of examples from typewriter art to animations to historical emoticons.

Documenting the Now (and other social media tools/services)

Documenting the Now develops tools and builds community practices that support the ethical collection, use, and preservation of social media content.

I’ve been talking with the folks at MassMine (I’m on their Advisory Board) about tools that can gather information off the web and I was pointed to the Documenting the Now project that is based at the University of Maryland and the University of Virginia with support from Mellon. DocNow have developed tools and services around documenting the “now” using social media. DocNow itself is an “appraisal” tool for twitter archiving. They then have a great catalog of twitter archives they and others have gathered which looks like it would be great for teaching.

MassMine is at present a command-line tool that can gather different types of social media. They are building a web interface version that will make it easier to use and they are planning to connect it to Voyant so you can analyze results in Voyant. I’m looking forward to something easier to use than Python libraries.

Speaking of which, I found a TAGS (Twitter Archiving Google Sheet) which is a plug-in for Google Sheets that can scrape smaller amounts of Twitter. Another accessible tool is Octoparse that is designed to scrape different database driven web sites. It is commercial, but has a 14 day trial.

One of the impressive features of Documenting the Now project is that they are thinking about the ethics of scraping. They have a Social Labels set for people to indicate how data should be handled.

What is the TikTok subculture Dark Academia?

School may be out indefinitely, but on social media there’s a thriving subculture devoted to the aesthetic of all things scholarly.

The New York Times has an article answering the question, What is the TikTok subculture Dark Academia? It describes a subculture that started on tumblr and evolved on TikTok and Instagram that values a tweedy academic aesthetic. Sort of Hogwarts meets humanism. Alas, just as the aesthetics of humanities academic culture becomes a thing, it gets superseded by Goblincore or does it just fade like a pressed flower.

Now we need to start a retro Humanities Computing aesthetic.

Embedded Voyant panel

This post is a demonstration of how a Voyant panel or hermeneutica can be embedded in a WordPress post. See our Voyant tutorials at dialogi.ca.

To embed the panel I created a custom HTML block. In it I pasted the <iframe> element exported from the Voyant panel I wanted. While editing I see the HTML code, when I Preview (either the block or the whole post) or publish then I see the Voyant panel in place. Try playing with it!

Digitization in an Emergency: Fair Use/Fair Dealing and How Libraries Are Adapting to the Pandemic

In response to unprecedented exigencies, more systemic solutions may be necessary and fully justifiable under fair use and fair dealing. This includes variants of controlled digital lending (CDL), in which books are scanned and lent in digital form, preserving the same one-to-one scarcity and time limits that would apply to lending their physical copies. Even before the new coronavirus, a growing number of libraries have implemented CDL for select physical collections.

The Association of Research Libraries has a blog entry on Digitization in an Emergency: Fair Use/Fair Dealing and How Libraries Are Adapting to the Pandemic by Ryan Clough (April 1, 2020) with good links. The closing of the physical libraries has accelerated a process of moving from a hybrid of physical and digital resources to an entirely digital library. Controlled digital lending (where only a limited number of patrons can read an digital asset at a time) seems a sensible way to go.

To be honest, I am so tired of sitting on my butt that I plan to spend much more time walking to and browsing around the library at the University of Alberta. As much as digital access is a convenience, I’m missing the occasions for getting outside and walking that a library affords. Perhaps we should think of the library as a labyrinth – something deliberately difficult to navigate in order to give you an excuse to walk around.

Perhaps I need a book scanner on a standing desk at home to keep me on my feet.