Day of Archaeology

Megan pointed me to the ADay of Archaeology project. This project was conceived of during one of our Day of Digital Humanities projects and builds on the idea. It serves partly as community outreach for archaeology:

The Day of Archaeology 2011 aims to give a window into the daily lives of archaeologists. Written by over 400 contributors, it chronicles what they did on one day, July 29th 2011, from those in the field through to specialists working in laboratories and behind computers. This date coincides with the Festival of British Archaeology, which runs from 16th – 31st July 2011.

I also note that they had far more participants in their first year than we had even in our third! We need to learn from them.

How to communicate the dangers of nuclear waste to future civilizations.

Reading Umberto Eco’s The Search for the Perfect Language I came across a discussion Thomas Sebeok’s work for the U.S. Office of Nuclear Waste Management on “Communication Measures To Bridge Ten Millennia.” Sebeok was commissioned to figure out how to warn people about nuclear waste in 10,000 years. How do you design a warning system that can survive for tens of thousands of years? He proposed an artificial folklore with a priestly caste to maintain superstitions about the site. He ended up recommending

that information be launched and artificially passed on into the short-term and long-term future with the sup- plementary aid of folkloristic devices, in particular a combination of an artificially created and nurtured ritual-and-legend. …

The legend-and-ritual, as now envisaged, would be tantamount to laying a “false trail”, meaning that the uninitiated will be steered away from the hazardous site for reasons other than the scientific knowledge of the possibility of radiation and its implications; essentially, the reason would be accumulated superstition to shun a certain area permanently. (p. 24)

Slate Magazine has a great story on the issue of Atomic Priesthoods, Thorn Landscapes, and Munchian Pictograms: How to communicate the dangers of nuclear waste to future civilizations by Juliet Lapidos (Nov. 16, 2009.) She surveys some of the interesting ideas like “Menacing Earthworks” that would warn people off, and talks about a 1993 SANDIA report titled, “Expert Judgment on Markers To Deter Inadvertent Human Intrusion Into the Waste Isolation Pilot Plant.”

TRAFFIC: Conceptual Art in Canada 1965-1980

Gordon Lebredt Get Hold Of This Space 1974

Go see the TRAFFIC: Conceptual Art in Canada 1965-1980 exhibit at the Art Gallery of Alberta. It is a dense exhibit with hundreds of works and relevant documentation. It is organized by cities (a room for Halifax, one for Montreal …) and seems carefully researched. You will find yourself bewildered and amused at the variety of conceptual art projects executed in Canada. You will notice that everything was done back then with typewriters, video and tape recorders. The colors look bleached the way old and cheap photographs are. The aging of all those postcards and paper forms dates the works as if they were brought out of the attic or from the back of the family station wagon left in the sun.

This show was developed by a number of museums (from Vancouver to Halifax) and is touring those museums. You can read about the show when it was in Toronto. Or you can read about it in Magenta.

Locacious: Audio Walking Tours

Peigi sent me a link to Locacious a great new iPhone app that lets you create walking tours. (Location + Loquacious = Locacious … Get it?) The walking tours are made up of locations with an image, text (links), and audio. Historians are using it to author urban history tours like “Jane Jacobs in Greenwich Village; The Flatiron District.” the app is free, but you apparently have to pay to upload your tour so that others can access it.

Note: the Locacious app seems to have been retired. See iOSnoops entry.