The British Council has developed a bilingual (English/Turkish) digital exhibit of British Art. The exhibit remediates the gallery/museum as interface, which is not new, but the designers have included other visitors moving around, looking at art and so on. It gives it a more human feel. That said, I found it harder to actually get to the art. I couldn’t move from painting on the wall to the next one without stepping back and then in.
Pour continuer le dialogue, on gagnerait à faire converser Hermeneutica avec des théories de la lecture comme celle d’Umberto Eco ou avec l’esthétique de la réception, représentée par Hans Robert Jauss et Wolfgang Iser. Aux yeux d’Umberto Eco (Lector in fabula), il n’y a à interpréter que là où le texte se tait. Ce sont tous les lieux d’ambivalence, les propositions implicites et les vides de l’œuvre, suscitant la coopération d’un lecteur qui met du sien dans le texte pour combler les blancs, qui font le propre du fonctionnement littéraire. Wolfgang Iser (L’Appel du texte) affirme de son côté que, loin de déduire le sens d’une œuvre de ses mots les plus utilisés, « l’essentiel d’un texte est ce qu’il passe sous silence ».
How can we analyze the gaps, the silences, or that which has not been written?
I’ve just come across some important blog essays by David Gaertner. One is Why We Need to Talk About Indigenous Literature in the Digital Humanities where he argues that colleagues from Indigenous literature are rightly skeptical of the digital humanities because DH hasn’t really taken to heart the concerns of Indigenous communities around the expropriation of data.
6th AIUCD Conference 2017 Il telescopio inverso: big data e distant reading nelle discipline umanistiche Roma, 26-28 January 2017.
This January I attended the AIUCD Conference 2017 in Rome, Italy. The AIUCD (Association for Humanities Informatics and Digital Culture) is the Italian member of ADHO and the conference brought together researchers and students not only from Italy, but also from Europe.
Wu, who is running for Congress, said in an email that she is “fairly livid” because it appears the FBI didn’t check out many of her reports about death threats. Wu catalogued more than 180 death threats that she said she received because she spoke out against sexism in the game industry and #GamerGate misogyny that eventually morphed into the alt-right movement and carried into the U.S. presidential race.
It sounds like the FBI either couldn’t trace the threats or they didn’t think they were serious enough and eventually closed down the investigation. In the aftermath of the shooting at the Québec City mosque we need to take the threats of trolls more seriously as Anita Sarkeesian did when she was threatened with a “Montreal Massacre style attack” before speaking at the University of Utah. Yes, only a few act on their threats, but threats piggy-back on the terror to achieve their end. Those making the threats may justify it as just for the lulz, but they do so knowing that some people act on their threats.
On another point, having just given a paper on Palantir I was intrigued to read that the FBI used it in their investigation. The report says that “A search of social media logins using Palantir’s search around feature revealed a common User ID number for two of the above listed Twitter accounts, profiles [Redacted] … A copy of the Palantir chart created from the Twitter results will be uploaded to the case file under a separate serial.” One wonders how useful connecting to Twitter accounts to one ID is.
Near the end of the report, which is really just a collection of redacted documents, there is a heavily redacted email from one of those harassed where all but a couple of lines are left for us to read including,
We feel like we are sending endless emails into the void with you.