260,000 Words, Full of Self-Praise, From Trump on the Virus

The New York Times has a nice content analysis study of Trump’s Coronavirus briefings, 260,000 Words, Full of Self-Praise, From Trump on the Virus. They tagged the corpus for different types of utterances including:

  • Self-congratulations
  • Exaggerations and falsehoods
  • Displays of empathy or appeals to national unity
  • Blaming others
  • Credits others

Needless to say they found he spent a fair amount of time congratulating himself.

They then created a neat visualizations with colour coded sections showing where he shows empathy or congratulates himself.

According to the article they looked at 42 briefings or other remarks from March 9 to April 17, 2020 giving them a total of 260,000 words.

I decided to replicate their study with Voyant and I gathered 29 Coronavirus Task Force Briefings (and one Press Conference) from February 29 to April 17. These are all the Task Force Briefings I could find at the White House web site. The corpus has 418,775 words, but those include remarks by people other than Trump, questions, and metadata.

Some of the things that struck me are the absence of medical terminology in the high frequency words. I was also intrigued by the prominence of “going to”. Trump spends a fair amount of time talking about what he and others are going to be doing rather than what is done. Here you have a Contexts panel from Voyant.

Is this crisis a turning point?

The era of peak globalisation is over. For those of us not on the front line, clearing the mind and thinking how to live in an altered world is the task at hand.

John Gray has written an essay in the New Statesman on Why this crisis is a turning point in history. He argues that the era of hyperglobalism is at an end and many systems may not survive the shift to something different. Many may think we will, after a bit of isolated pain, return to the good old expanding wealth, but the economic crisis that is now emerging may break that dream. Governments and nations may be broken by collapsing systems.

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The reason Zoom calls drain your energy

Video chat is helping us stay employed and connected. But what makes it so tiring – and how can we reduce ‘Zoom fatigue’?

Many of us have suspected that videoconferencing is stressful. I tend to blame the stress of poor audio as my hearing isn’t what it used to be. His a story from the BBC on The reason Zoom calls drain your energy. There are a number of factors:

  • The newness of this way of interacting
  • The heightened focus needed to deal with missing non-verbal cues.
  • Heightened focus needed to deal with poor audio.
  • Need to moderate larger groups so people don’t try to talk at the same time
  • Audio delays change responsiveness
  • Stress and time around technical problems.
  • Silences don’t work the way they do in f2f. They can indicate malfunction.
  • Being on camera and having to be performative
  • Lack of separation of home and work
  • Lack of transition times between meetings (no time to even get up and meet your next appointment at the door)

I hadn’t thought of the role of silence in regular conversations and how we can’t depend on that rhetorically any longer. No dramatic silences any more.

How to Look and Sound Fabulous on a Webcam – School of Journalism – Ryerson University

Now that all of us are having to teach and meet over videoconferencing on our laptops, it is useful to get advice from the professionals. Chelsea sent me this link to Ryerson professor Gary Gould’s advince on How to Look and Sound Fabulous on a Webcam. The page covers practical things like lighting, positioning of the camera, backgrounds, framing and audio. I realize I need to rethink just having the laptop on my lap.

The Last One

Whatever happened to The Last One software? The Last One (TLO) was a “program generator” that was supposed to take input from a user who wasn’t a programmer and be able to generate a BASIC program.

TLO was developed by a company called D.J. “AI” Systems Ltd. that was set up by David James who became interested in artificial intelligence when he bought a computer for his business, and apparently got so distracted that he was bankrupted by that interest (and lost his computers). It was funded by an equally colourful character, Scotty Bambury who made his money as a tire dealer in Somerset. (See here and here.)

Personal Computer magazine cover from here

The name (The Last One) refers to the expectation that this would be the last software you would need to buy. As the cover image above shows, they were imagining programmers being put out of work by an AI that could reprogram itself. TLO would be the last software you had to buy and possibly the first AI capable of recursively improving itself. DJ AI could have been spinning up the seed AI that could lead to the singularity! 

Here is some of the text from an ad for TLO. The text ran under the spacey headline at the top of this post.

The first program you should buy. …

THE LAST ONE … The program that writes programs!

Now, for the first time, your computer is truly ‘personal’. Now, simply and easily, you can create software the way you want it. …

Yet another sense of “personal” in “personal computer” – a computer where all your software (except, of course, TLO) is personally developed. Imagine a computer that you trained to do what you needed. This was the situation with early mainframes – programmers had to develop the applications individually for each system, they just didn’t have TLO.

The tech ‘solutions’ for coronavirus take the surveillance state to the next level

Neoliberalism shrinks public budgets; solutionism shrinks public imagination.

Evgeny Morozov has crisp essay in The Guardina on how The tech ‘solutions’ for coronavirus take the surveillance state to the next level. He argues that neoliberalist austerity cut our public services back in ways that now we see are endangering lives, but it is solutionism that constraining our ideas about what we can do to deal with situations. If we look for a technical solution we give up on questioning the underlying defunding of the commons.

There is nice interview between Natasha Dow Shüll Morozov on The Folly of Technological Solutionism: An Interview with Evgeny Morozov in which they talk about his book To Save Everything, Click Here: The Folly of Technological Solutionism and gamification.

Back in The Guardian, he ends his essay warning that we should focus on picking between apps – between solutions. We should get beyond solutions like apps to thinking politically.

The feast of solutionism unleashed by Covid-19 reveals the extreme dependence of the actually existing democracies on the undemocratic exercise of private power by technology platforms. Our first order of business should be to chart a post-solutionist path – one that gives the public sovereignty over digital platforms.

Finland accepts the Demoscene on its national UNESCO list of intangible cultural heritage of humanity

“Demoskene is an international community focused on demos, programming, graphics and sound creatively real-time audiovisual performances. [..] Subculture is an empowering and important part of identity for its members.”

The Art of Coding has gotten Demoscene listed by Finland in the National Inventory of Living Heritage, Breakthrough of Digital Culture: Finland accepts the Demoscene on its national UNESCO list of intangible cultural heritage of humanity. This means that Demoscene may be the first form of digital culture put forward to UNESCO as a candidate intangible cultural heritage (ICH).

In a previous blog post I argued that ICH is a form of culture that would be hard to digitize by definition. I could be proved wrong with Demoscene. Or it could be that what makes Demoscene ICH is not the digital demos, but the intangible cultural scene, which is not digital.

Either way, it is interesting to see how digital practices are also becoming intangible culture that could disappear.

You can learn more about Demoscene from these links:

Robots Welcome to Take Over, as Pandemic Accelerates Automation – The New York Times

But labor and robotics experts say social-distancing directives, which are likely to continue in some form after the crisis subsides, could prompt more industries to accelerate their use of automation. And long-simmering worries about job losses or a broad unease about having machines control vital aspects of daily life could dissipate as society sees the benefits of restructuring workplaces in ways that minimize close human contact.

The New York Times has a story pointing out that The Robots Welcome to Take Over, as Pandemic Accelerates Automation. While AI may not be that useful in making the crisis decisions, robots (and the AIs that drive them) can take over certain jobs that need doing, but which are dangerous to humans in a time of pandemic. Sorting trash is one example given. Cleaning spaces is another.

We can imagine a dystopia where everything can run just fine with social (physical) distancing. Ultimately humans would only do the creative intellectual work as imagined in Forester’s The Machine Stops (from 1909!) We would entertain each other with solitary interventions, or at least works that can be made with the artists far apart. Perhaps green-screen technology and animation will let us even act alone and be composited together into virtual crowds.

Embedded Voyant panel

This post is a demonstration of how a Voyant panel or hermeneutica can be embedded in a WordPress post. See our Voyant tutorials at dialogi.ca.

To embed the panel I created a custom HTML block. In it I pasted the <iframe> element exported from the Voyant panel I wanted. While editing I see the HTML code, when I Preview (either the block or the whole post) or publish then I see the Voyant panel in place. Try playing with it!

Digitization in an Emergency: Fair Use/Fair Dealing and How Libraries Are Adapting to the Pandemic

In response to unprecedented exigencies, more systemic solutions may be necessary and fully justifiable under fair use and fair dealing. This includes variants of controlled digital lending (CDL), in which books are scanned and lent in digital form, preserving the same one-to-one scarcity and time limits that would apply to lending their physical copies. Even before the new coronavirus, a growing number of libraries have implemented CDL for select physical collections.

The Association of Research Libraries has a blog entry on Digitization in an Emergency: Fair Use/Fair Dealing and How Libraries Are Adapting to the Pandemic by Ryan Clough (April 1, 2020) with good links. The closing of the physical libraries has accelerated a process of moving from a hybrid of physical and digital resources to an entirely digital library. Controlled digital lending (where only a limited number of patrons can read an digital asset at a time) seems a sensible way to go.

To be honest, I am so tired of sitting on my butt that I plan to spend much more time walking to and browsing around the library at the University of Alberta. As much as digital access is a convenience, I’m missing the occasions for getting outside and walking that a library affords. Perhaps we should think of the library as a labyrinth – something deliberately difficult to navigate in order to give you an excuse to walk around.

Perhaps I need a book scanner on a standing desk at home to keep me on my feet.