Grand Theft Auto IV: Panic Magnet or Cultural Criticism

Screen Capture
Well, Grand Theft Auto IV is on sale today and the news is predicting it “will break sales records.” More importantly the media are warming up for a juicy story about game violence while the gaming news is ready for the moral panic of the mainstream media. Take Kotaku:

One might also suspect that, when the game is finally release (sic), opportunistic, fear mongering elected officials, clueless mainstream media and glory seeking attorneys may find extra content not listed, including Virtual Rape, Cop Killing, Overt Racism, Gerbil Abuse, Being On Someone’s Lawn and Buggery. We’re looking forward to a fun ride.

I think the gaming community expects that GTA IV is going to be a magnet for media stories about violence and videogames. Remember that hard core gamers have been following GTA 4 for a while and thinking about its reception while the audience of the mainstream news (if there is such a thing left) are just waking up to it as the stories go mainstream. Rockstar may even have placed some content designed to spark controversy since nothing sells games like controversy, even when the game is rated Mature. In the case of gaming, the media have little credibility compared to the narrow gaming channels that gamers read, but gamers love to have their opinions of n00bs confirmed when the mainstream seems to parachute in the day before a game is released or when some kid goes postal. Thus we end up with two solitudes that feed off misunderstanding each other: parents who can panic after reading that they should and gamers frustrated that they aren’t understood when they knew they wouldn’t be. That’s the essence of commedia – the fun of watching groups creatively misunderstand each other in public. GTA IV promises to be another chapter in a comedy of misunderstanding that goes back to Socrates complaining about the poets teaching youth to practice disreputable characters (and Aristophanes making fun of him doing so.) I note that Rockstar has made a brilliant first move on the Information page of the web site for the game by stealing some cultural criticism high-ground:

What does the American Dream mean today?

For Niko Bellic, fresh off the boat from Europe, it is the hope he can escape his past.

For his cousin, Roman, it is the vision that together they can find fortune in Liberty City, gateway to the land of opportunity.

As they slip into debt and are dragged into a criminal underworld by a series of shysters, thieves and sociopaths, they discover that the reality is very different from the dream in a city that worships money and status, and is heaven for those who have them and a living nightmare for those who don’t.

Think about it – a Scottish game development company making a game that claims to critique the emptiness of the American dream in order to make lots of money the American way. But seriously, some interesting aspects of the story are:

  • How do companies manage blockbuster games? GTA 4 was delayed (possibly to avoid other big releases like Halo 3) and now seems to have been well timed (and built up) to take off. Given how much it cost to develop GTA 4, the launch probably has to be carefully staged to be perceived as the next “fastest-selling” so that they make a profit. How do they stage blockbusters? Should we care about them?
  • How do blockbuster games intersect with other forms of entertainment “properties”? Will GTA 4 really affect movie going among young men by taking them off the streets and out of the theatres (and into the gaming room) for a few weeks? Will it have a measurable effect on sales of other types of entertainment as some speculate?
  • A related question is how they manage the tie-in with Amazon for music? I think games like GTA 4 have real potential to sell other merchandise – especially music, given the way radio stations entertain in the game. They apparently have some deal for selling tunes through the game in the US. Will it have an effect on Amazon’s music sales?
  • How effective is the game engine (Euphoria) that they are using? GTA 4 is one of the first major games to use Euphoria – will it make a difference players respond to?

Old Bailey Online

Image from Web Page
The Globe and Mail today had a story about a humanities computing project, the Old Bailey Online – The Proceedings of the Old Bailey, 1674-1913 – Central Criminal Court. The story is titled, A crime time machine (Tuesday, April 29, 2008, Page A2) and is really quite nice. That the story appears on the second page of our national newspaper shows how humanities computing projects are of general interest (especially if they are about criminals.) The introduction on the web site reads,

A fully searchable edition of the largest body of texts detailing the lives of non-elite people ever published, containing 197,745 criminal trials held at London’s central criminal court.

One thing that is interesting is that they have Google Ads down the left-hand side, which is unusual for an academic project.

Bravo to the team that developed it!

Spectator: Mass e-vites can prompt gatecrashing

Well, I’m in the news today. I was interviewed for a story in the Spectator, Mass e-vites can prompt gatecrashing which is about how word of parties circulates quickly on the web leading sometimes to uninvited (and violent) guests. Or it is about how Facebook is dangerous. I have blogged before about Facing Facebook (and privacy), but what strikes me now about Facebook is how it offers an alternative to e-mail. The argument goes like this:

  • Email was developed when the internet (Arpanet actually) was a trusted circle. The net was flat and only people like you and answerable to you were on it.
  • Email doesn’t work on an internet that is broad, global, and open. Spam is just one symptom of the problem of scale.
  • What we need is a messaging system that lets us control who can write us; a system that priviledges the local (in the sense that people in my university have easier access); and a system that lets me use different types of messaging for different purposes (from short announcements to photos to private messages.)

Sounds like Facebook, doesn’t it? Which is why my children seem to use Facebook for communication and email for file transfer (as in moving a copy of a paper to print out to the lab at school.) Unfortunately I can’t move off email the way Donald Knuth did – it is now woven into the work practices of the university. I’m also not comfortable with a commercial organization like Facebook or Google having all my messaging. But I can start moving to private social networks for certain purposes. To that end I set up a private network for my extended family on Ning where we can keep track of birthdays, family photos, and information.

How about an open source project to develop a distributed social network messaging environment that could interface with email, that could be run by individual units, and that could offer control over types and sources of messages?

New Yorker: The News Business: Out of Print

The New Yorker has a depressing story The News Business: Out of Print about the collapse of the newspaper business.

trends in circulation and advertising––the rise of the Internet, which has made the daily newspaper look slow and unresponsive; the advent of Craigslist, which is wiping out classified advertising––have created a palpable sense of doom. Independent, publicly traded American newspapers have lost forty-two per cent of their market value in the past three years, according to the media entrepreneur Alan Mutter.

Most managers in the industry have reacted to the collapse of their business model with a spiral of budget cuts, bureau closings, buyouts, layoffs, and reductions in page size and column inches. Since 1990, a quarter of all American newspaper jobs have disappeared.

All this and in 10 days the Newseum will open in Washington. The Newseum site has a section of Today’s Front Pages where you can see, for example, Canadian front pages (if you burrow down by region). Perhaps we can watch newspapers disappear from this site – a time-lapse on news until there is one paper left (and what will that be?)
As a regular paper reader I have mixed feelings about the business or loss of it. I love to hate the Globe and Mail, which like many papers is becoming a collection of columns rather than a “news” paper, but I love to hate it in hand in the morning with a coffee. I also love Google News as a source of news and through the New Yorker essay, just discovered the Huffington Post. Google News, however, is built on the smart aggregation of news from real newspapers (as in places that pay people to write news.) How will aggregations work when there is nothing new (outside blog posts) being written? Will we end up with a few multinational news engines like Reuters and lots of opinions like mine? Will I have to get a Kindle to read in bed in the morning? (At least it would save going out in the cold to get the paper.)

Just how an Internet-based news culture can spread the kind of “light” that is necessary to prevent terrible things, without the armies of reporters and photographers that newspapers have traditionally employed, is a question that even the most ardent democrat in John Dewey’s tradition may not wish to see answered.

Cybersyn: Before the Coup, Chile Tried to Find the Right Software for Socialism

Image of Cybersyn Opsroom

In New York for my last f2f meeting of the MLA Committee on Information Technology I got a New York Times with an intriguing article about a Chilean management system, Cybersyn, titled Before the Coup, Chile Tried to Find the Right Software for Socialism.

Cybersyn was born in July 1971 when Fernando Flores, then a 28-year-old government technocrat, sent a letter to Mr. Beer seeking his help in organizing Mr. Allende’s economy by applying cybernetic concepts. Mr. Beer was excited by the prospect of being able to test his ideas.

He wanted to use the telex communications system – a network of teletypewriters – to gather data from factories on variables like daily output, energy use and labor “in real time,” and then use a computer to filter out the important pieces of economic information the government needed to make decisions.

Cybersyn was apparently semi-functional before the coup that overthrew Allende’s government and it was used to help manage around the small-business and truckers strike in 1972. I don’t think the Opsroom pictured above was ever fully operational, but visualization screens were important even if at the time they were hand-drawn slides that were projected rather than computer generated visualizations (see http://varnelis.net/blog/kazys/project_cybersyn on the chairs of the Opsroom.) Beer and the Chileans wanted Cybersyn to help them implement an alternative socialist economy that was managed in real time rather than “free” and chaotic or planned in the heavy handed way of most socialist economies of the time.

Rooting around, I found a good article about Cybersyn and the English visionary designer Stafford Beer from 2003 in the Guardian by Andy Beckett, Santiago Dreaming. It turns out that Beer gave the Massey Lectures in 1971 and they have been reprinted by Anansi as Designing Freedom. He also moved part-time to Toronto in the 80s where his last partner, Dr. Allenna Leonard of Metaphorum still resides. He died in 2002.

Another interesting thread is Fernando Flores who was the political lead of Cybersyn and the person that recruited Beer for the project. After the coup, Flores went to the US and got a Ph.D. in Computer Science collaborating with Terry Winograd, and being influenced by Maturana, also Chilean. That’s right – the Flores of Understanding Computers and Cognition. He is now back in Chile as a senator and supports various projects there.

The common thread is that Beer, Flores and Maturana all seem interested in viable systems in different spheres. They were applying cybernetics.

Korea: Part-time Lecturers and Suicide

The Global Voices Online site has a story on Part-time Lecturers and Suicide that matters. A number of humanities lecturers have committed suicide after spending years in part-time sessional work with no promise of a professorship. Would we know if we had a similar situation here in Canada? Increasingly we are dependent on sessional teaching to cover courses as we handle budget cuts by not hiring tenure-track or even just contract faculty. My guess is that a few departments may get to 50% of their teaching being done by part-timers. Why is this? Sessionals, hired one course at a time, are a cheap way to get quality teaching, especially if the sessionals are led to believe they might eventually get the coveted positions. Full time faculty benefit because we can keep our research positions while letting help for a fraction of our salary. At what point should we be honest with ourselves and admit that a university cannot afford tenure track faculty for teaching and deal with the effects by creating teaching positions that have some stability instead of stringing on recent graduates. Is Korea ahead of us in confronting the desperation of part-time faculty? Will it take a suicide for anyone to notice here?

Harvard and Open Access

Peter Suber in Open Access News has reproduced the text of the motion that the Faculty of Arts and Science at Harvard passed requiring faculty to deposit a copy of their articles with the university.

The Faculty of Arts and Sciences of Harvard University is committed to disseminating the fruits of its research and scholarship as widely as possible. In keeping with that commitment, the Faculty adopts the following policy: Each Faculty member grants to the President and Fellows of Harvard College permission to make available his or her scholarly articles and to exercise the copyright in those articles.

According to another post by Peter Suber, Harvard is the first North American university to adopt an open access policy. He calls it a “permission mandate” (granting permission to the university to make research open) rather than a “deposit mandate.” It has the virtue that the university takes responsibility for maintaining the access, not the faculty member.

More on this can be found here (another Suber post) and here (Chronicle of Higher Ed.).

Zielinski: Deep Time of the Media

Image of Cover Siegried Zielinski’s Deep Time of the Media (translated by Gloria Custance, Cambridge, MA, MIT Press, c2006) is an unusual book that pokes into the lost histories of media technologies in order to start “toward an archaeology of hearing and seeing by technical means” (as the subtitle goes.) Zielinski starts by talking about the usual linear history of media technologies that recovers what predicts what we believe is important. This is the Vannevar Bush, Ted Nelson type of history. Zielinski looks away from the well known precursurs towards the magical and tries to recover those moments of diversity of technologies. (He writes about Gould’s idea of punctuated equilibrium as a model for media technologies – ie. that we have bursts of diversity and then periods of conformity.)

I’m interested in his idea of the magical, because I think it is important to the culture of computing. The magical for Zielinski is not a primitive precursor of science or efficiency. The magical is an attitude towards possibility that finds spectacle in technology. Zielinksi has a series of conclusions that sort of sketch out how to preserve the magical:

Developed media worlds need artistic, scientific, technical, and magical challenges.  (p. 255)

Cultivating dramaturgies of difference is an effective remedy against the increasing ergonomization of the technical media wolrds that is taking place under the banner of ostensible linear progress. (p. 259)

Establishing effective connections with the peripheries, without attempting to integrate these into the centers, can help to maintain the worlds of the media in a state that is open and transformable. (p. 261)

The most important precondition for guaranteeing the continued existence of relatively power-free spaces in media worlds is to refrain from all claims to occupying the center. (p. 269)

The problem with imagining media worlds that intervene, of analyzing and developing them creatively, is not so much finding an appropriate framework but rather allowing them to develop with and within time. (p. 270)

Kairos poetry in media worlds is potentially an efficacious tool against expropriation of the moment. (p. 272)

Artistic praxis in media worlds is a matter of extravagant expenditure. Ist priviledged location are not palaces but open laboratories. (p. 276)

Hitwise: Web Intelligence

On jill/text I cam across an interesting graph about OpenSocial vs. Facebook showing the difference in market share. Hitwise provides statistics and analysis of internet usage. They get their data from ISPs, which sounds like it could be a privacy issue. See their Product Features for the services they provide that most of us can’t afford. See what they say about how they gather information in How We Do It or here is quote from their press release on Hanah Montana Most Searched for Halloween Costume:

Since 1997, Hitwise has pioneered a unique, network-based approach to Internet measurement. Through relationships with ISPs around the world, Hitwise’s patented methodology anonymously captures the online usage, search and conversion behavior of 25 million Internet users. This unprecedented volume of Internet usage data is seamlessly integrated into an easy to use, web-based service, designed to help marketers better plan, implement and report on a range of online marketing programs.

They have blogs by their analysts, most of whom seem to be in the UK, that have interesting notes about trends like iTunes overtakes Free Music Downloads in Internet Searches.