It’s the (Democracy-Poisoning) Golden Age of Free Speech

And sure, it is a golden age of free speech—if you can believe your lying eyes. Is that footage you’re watching real? Was it really filmed where and when it says it was? Is it being shared by alt-right trolls or a swarm of Russian bots? Was it maybe even generated with the help of artificial intelligence?

There have been a number of stories bemoaning what has become of free speech. Fore example, WIRED has one title, It’s the (Democracy-Poisoning) Golden Age of Free Speech by Zeynep Tufekci (Jan. 16, 2020). In it she argues that access to an audience for your speech is no longer a matter of getting into centralized media, it is now a matter of getting attention. The world’s attention is managed by a very small number of platforms (Facebook, Google and Twitter) using algorithms that maximize their profits by keeping us engaged so they can sell our attention for targeted ads.

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Eyal Weizman: The algorithm is watching you

The London Review of Books has a blog entry by Eyal Weizman on how The algorithm is watching you (Feb. 19, 2020). Eyal Weizman, the founding director of Forensic Architecture, writes that he was denied entry into the USA because an algorithm had identified a security issue. He was going to the US for a show in Miami titled True to Scale.

Setting aside the issue of how the US government seems to now be denying entry to people who do inconvenient investigations, something a country that prides itself on human rights shouldn’t do, the use of an algorithm as a reason is disturbing for a number of reasons:

  • As Weizman tells the story, the embassy officer couldn’t tell what triggered the algorithm. That would seem to violate important principles in the use of AIs; namely that an AI used in making decisions should be transparent and able to explain why it made the decision. Perhaps the agency involved doesn’t want to reveal the nasty logic behind their algorithms.
  • Further, there is no recourse, another violation of principle for AIs, namely that they should be accountable and there should be mechanisms to challenge a decision.
  • The officer then asked Weizman to provide them with more information, like his travel for the last 15 years and contacts, which he understandably declined to do. In effect the system was asking him to surveil himself and share that with a foreign government. Are we going to be put in the situation where we have to surrender privacy in order to get access to government services? We do that already for commercial services.
  • As Weizman points out, this shows the “arbitrary logic of the border” that is imposed on migrants. Borders have become grey zones where the laws inside a country don’t apply and the worst of a nation’s phobias are manifest.

PETER ROCKWELL Obituary

ROCKWELL, Peter Barstow Sculptor, Scholar and Teacher, dies at 83 Died peacefully on February 6, 2020 in Danvers, MA.

My father passed away last Thursday, Feb. 6th. I’ve been gathering information and writing a short and longer obituary. I’ve also been going through my father’s email writing people he was in touch with. In a strange way I feel I am rolling up his life.

My sister posted an obituary in the Boston Globe: PETER ROCKWELL Obituary – Boston, MA | Boston Globe. Interestingly the Globe ran their own short article Peter Rockwell, a sculptor and a son of Norman Rockwell, dies at 83.

What is touching are all the heartfelt condolences coming in from students, friends and colleagues that enjoyed his company and work.

Show and Tell at CHRIN


Stéphane Pouyllau’s photo of me presenting

Michael Sinatra invited me to a “show and tell” workshop at the new Université de Montréal campus where they have a long data wall. Sinatra is the Director of CRIHN (Centre de recherche interuniversitaire sur les humanitiés numériques) and kindly invited me to show what I am doing with Stéfan Sinclair and to see what others at CRIHN and in France are doing.

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