Streaming Media – Page 5

Algorithms are Thoughts, Chainsaws are Tools on Vimeo

Steve Ramsay has put an interesting video essay about live coding up at Algorithms are Thoughts, Chainsaws are Tools on Vimeo. He provides commentary to the live coding of Andrew Sorensen which in turn is controlling electronic music. Very neat!

Note (April 2020): The video is no longer available. There is an Electronic Book Review essay Critical Code Studies Week Five Opener – Algorithms are thoughts, Chainsaws are tools that talks about the original video essay, but it too links to the missing Vimeo video.

glia — neuronal jelly with network sauce — 2009.

Thanks to Jason I discovered an interesting collection of animated poetry that plays with type by David Jhave Johnston. See glia — neuronal jelly with network sauce — 2009.. In theory you can embed the animated poems in things, but it didn’t work in this blog. Perhaps they are best seen in glia.

One feature of Johnston’s work is how he plays with type using, among other technologies, Mr. Softie from Obx Labs.

Pontypool Changes Everything

Back to Pontypool, the semiotic zombie movie that has infected me. The image above is of the poster for the missing cat Honey that seems to have something to do with the start of the semiotic infection. The movie starts with Grant Mazzy’s voice over the radio talking about,

Mrs French’s cat is missing. The signs are posted all over town. Have you seen Honey? Well, we have all seen the posters, but nobody has seen Honey the cat. Nobody, until last Thursday morning when Miss Collettepiscine … (drove off the bridge to avoid the cat)

He goes on to pun on “Pontypool” (the name of the town the movie takes place in), Miss Collettepiscine’s name (French for “panty-pool”), and the local name of the bridge she drove off. He keeps repeating variations of Pontypool a hint at the language virus to come.

As for the language virus, I replayed parts of the movie where they talk about it. At about 58 minutes in they hear the character Ken clearly get infected and begin to repeat himself as they talk on the cellphone. Dr. Mendez concludes, “That’s it, he is gone. He is just a crude radio signal, seeking.” A little later Mendez gets it and proposes,

Mendez: No … it can’t be, it can’t be. It’s viral, that much is clear. But not of the blood, not of the air, not on or even in our bodies. It is here.

Grant: Where?

Mendez: It is in words. Not all words, not all speaking, but in some. Some words are infected. And it spreads out when the contaminated word is spoken. Ohhhh. We are witnessing the emergence of a new arrangement for life … and our language is its host. It could have sprung spontaneously out of a perception. If it found its way into language it could leap into reality itself, changing everything. It may be boundless. It may be a God bug.

Grant: OK, Dr. Mendez. Look, I don’t even believe in UFOs, so I … I’ve got to stop you there with that God bug thing.

Mendez: Well that is very sensible because UFOs don’t exist. But I assure you, there is a monster loose and it is bouncing through our language, frantically trying to keep its host alive.

Grant: Is this transmission itself … um …

Mendez: No, no, no, no. If the bug enters us, it does not enter by making contact with our eardrum. It enters us when we hear the word and we understand it. Understand?

It is when the word is understood that the virus takes hold. And it copies itself in our understanding.

Grant: Should we be … talking about this?

Sydney: What are we talking about?

Grant: Should we be talking at all?

Mendez: Well, to be safe, no, probably not. Talking is risky, and well, talk radio is high risk. And so … we should stop.

Grant: But, we need to tell people about this. People need to know. We have to get this out.

Mendez: Well it’s your call Mr Mazzy. But let’s just hope that your getting out there doesn’t destroy your world.

As one thoughtful review essay points out, Pontypool is not the first to play with the meme of information viruses that can infect us. Snow Crash, the Stephenson novel which features a language-virus, even appears in the movie.

Pontypool itself is infectious, morphing from form to form. Sequels are threatened. The book, Pontypool Changes Everything, which starts with a character who keeps Ovid’s Metamorphoses in his, led to the movie which led to the radio play which was created by re-editing the movie audio (and it apparently has a different ending with “paper”.)

Rock-afire Explosion Clip – Rockafiremovie.com

rockafire

Shannon pointed me to The Rock-afire Explosion, an animatronic band from the 80s that was one of the entertainments at Showbiz Pizza. Rock-afire Explosion has been resurrected by a fan and one of the original creators of Creative Engineering who are programming tunes and uploading video to YouTube. See, for example, Madonna’s 4 Minutes. They take bids on New Shows to Program at a strange and not very clear site. If you bid high enough and it isn’t “dirty” they will program the animatronic band to do a song you want. (Would they do Plato’s dialogues?)

I cannot begin to describe how strangely captivating this all is. Perhaps the documentary made about it (see Rockafiremovie.com) captures the passion. Or, for a computing perspective, see the clip about Programming the Rock-afire Explosion.

Whatever happened to animatronics? Will it make a comeback now that we all carry around smartphones that can control things?

Percussa AudioCubes

Garry pointed me to Percussa AudioCubes. These cubes communicate by infrared to communicate distance information that you can use as input.

Location, orientation and distance information is passed to the software, while you interact with the cubes. The software can connect via MIDI or OpenSoundControl (OSC) to any software or hardware for music or visuals which you already have, or you can use it within your DAW (digital audio workstation) software as a VST plugin, or as a host for VST instruments to let you create sound immediately. (From How do they work?)

Twitterfall

Thanks to James K I discovered Twitterfall which shows a waterfall of tweets based on keywords and other settings. An interesting example of what StÃ©fan Sinclair and I call a Knowledge Radio – an application that organizes knowledge into a live stream.

Hacking as a Way of Knowing: Our Project on Flickr

I put a photo set up on Flickr for our Hacking as a Way of Knowing project. The set documents the evolution of the project which I’ve tentatively named the “ReReader for the Writing on the Wall”. Thanks to all those who made the project and the workshop a success. Now I have to think a bit deeper about making as knowing and things as theories.

Hacking as a Way of Knowing – Digital History

Today was the first day of the Hacking as a Way of Knowing e-waste fabrication workshop. Above you can see the text from a fax thermal printer roll projected onto a wall. (At least I think that’s what it is.) Below is an Arduino connected to a a speaker. StÃ©fan has working on taking a RSS feed and triggering events so we can connect stuff to it to create cool stuff.

We got talking about why fabrication is taking off. Turkel has his lab. Matt Ratto at the Univerity of Toronto has a lab (with a great name – CriticalMaking.com. Some of the reasons are:

There is a growing amount of electronic waste visible and available to be repurposed (and reminding us of how much we waste.)
As manufacturing moves out of North America we respond by exploring micro and personal manufacturing through fabrication. It is possible that this is the future of manufacturing here.
As manufacturing becomes so complex that we can’t imagine how everyday things are made, fabrication gives us a way of thinking about the making of what’s around us. It allows us to reappropriate the everyday.
The costs of fabrication (tools and materials) have dropped to the point where it is a viable hobby. What will fabrication look like when it is not longer only for those with skills?
We have what I call an “Ikea” effect where the labour and costs for certain items is shifting. Ikea moved part of assembly (the end assembly that takes relatively little skill) to the buyer by creating smarter hardware. They shifted engineering smarts to joining technology that could be used by anyone. Fabrication benefits from a shift in smarts so that assembly can doable.