Algorithms are Thoughts, Chainsaws are Tools on Vimeo

Steve Ramsay has put an interesting video essay about live coding up at Algorithms are Thoughts, Chainsaws are Tools on Vimeo. He provides commentary to the live coding of Andrew Sorensen which in turn is controlling electronic music. Very neat!

Note (April 2020): The video is no longer available. There is an Electronic Book Review essay Critical Code Studies Week Five Opener – Algorithms are thoughts, Chainsaws are tools that talks about the original video essay, but it too links to the missing Vimeo video.

Publishing scholarly projects using Google Sites

Thomas Crombez on his Doing Digital History site has a post on Publishing scholarly projects using Google Sites « Doing Digital History. His argument and instructions make a lot of sense. The idea is that you use something like TEI to encode your scholarly data and then you publish it on Google Sites instead of setting up something fancy at your university or lobbying for research infrastructure that doesn’t exist. Google provides stable infrastructure that you don’t have to maintain at an unbeatable price that is “off-campus” (which can have advantages) and which is as likely to survive as a university service.

Either way — running your website on a university server, a private hosting solution, or your own server — you are basically into self-publishing. Will you use an established platform aka CMS (Content Management System, e.g., WordPress or Drupal) or do you prefer to grow your own HTML/CSS? What is the most advantageous and flexible place to host it? If you run your own server, when does it need to be updated? Do you really need that latest Apache update? If you are doing a dynamic website, will the database continue to behave as it does today? When to update your database software? Is it possible that your website will one day attract a lot of traffic, necessitating more than one server? What search engine do you use for your collection of texts? Do you simply plug in a Google search box, or do you want some more searching power for your users? If so, what software do you choose?

I see more and more people moving to Google (and other commercial solutions) as a way of doing projects quickly and with modest resources. I call it Computing With The Infrastructure At Hand.

Day of Digital Humanities 2010: You are invited to participate

Well, we are starting up the second Day of Digital Humanities project. You are invited to participate!.

You can see what we did in last year’s project here. The idea was to have digital humanists blog one day of what they did and then combine it all into a dataset that can be studied. We call it “autoethnography of a community.” It was fascinating and stressful to run last year. I’m hoping I can enjoy it more this year.

The project will run on March 18th, 2010. We are hoping that we will get more graduate students and more colleagues from outside North America!

Informatica Umanistica: Interrupting Digitization

Informatica Umanistica has just published a paper of mine on digitization titled, “Interrupting Digitalizatin and Thinking about Text”. The article starts,

One of the memes of new media is that the form of communication determines the content. As McLuhan puts it the medium is the message, and therefore, as we digitize the evidence of human culture from the Roman forum to Hamlet we inaugurate not just a new edition of our knowledge, but a new knowing and with it a new way of thinking. This paper will not engage the question of technological determinism, instead it will assume that the enthusiasts are right and ask then what is digitization? or what is the message of the digital form? Asking such questions is an interruption in the rush to digitize everything; imagine the scanner has broken down for a moment letting us pause and ask if we really understand the digital, if we understand what is gained and lost, and if we understand the possibilities before us or how we are constrained.

Scott Smallwood and Musical Interactives

Scott Smallwood came to talk to our interactives group about his work on musical instruments. Scott was involved with the Princeton Laptop Orchestra (PLOrk) and demonstrated one of the hemispherical speakers that they designed so that laptop musicians could join and play with others. The idea was that a laptop musician, instead of plugging into a sound system (PA), should be able to make sound from where they are just like the analogue instruments. I wonder what the visualization equivalent is? Will these new pocket projectors we can begin to imagine visualization instrument that are portable. Pattie Maes and Pranav Mistry’s demo of SixthSense at TED is an example of creative thinking about outdoor interface.