The fold in web design and Deleuze

Reading Deleuze The Fold on the baroque and Leibniz, I was struck by how the word “fold” is also being used in web design for the break in a web page between what is seen on a typical screen when you load a page and what you have to scroll for. See Designing “Above the Fold” (Web Design in a Nutshell, 2nd Edition). (Thanks Carolyn Guertin for drawing my attention to this.)

How is the fold related to the interruption? Does the computer interrupt the flow by folding it into discrete objects or does the flow present itself folded?

MFA as the new MBA

In the February 2004 issue of the Harvard Business Review there is a short article on “The MFA Is the New MBA” by Daniel H. Pink. (Pages 21-22). He argues that it is harder to get into good art schools and that businesses are hiring MFAs to get creative talent.

An arts degree is now perhaps the hottest credential in the worlds of business. Corporate recruiters have begun visiting the top arts grad schools … in search of talent. … McKinsey says other disciplines are just as valuable in helping new hires perform well at the firm. With other arts grads occupying key corporate positions, the master of fine arts is becoming the new business degree. (p. 21)

Why is this?
Continue reading MFA as the new MBA

XAML: eXtensible Application Markup Language

ONDotnet.com: Inside XAML [Jan. 19, 2004] is an article on Microsoft’s XML languag for interfaces in Longhorn. This is not the first such attempt. There is XUL for Mozilla and I had a MSc student develop a simple XML interface language for skinning. The idea is good, we need a standard – Microsoft might be able to promote one, but it needs to be cross platform.

Stephenson: In the beginning was the command line

In the Beginning was the Command Line is an idiosyncratic essay about interface and operating systems by Neil Stephenson of Cryptonomicon fame. It is almost a memoire and almost a plug for Linux.

I am now reading the second of the The Baroque Cycle series, The Confusion. It con-fuses two story lines that split in Quicksilver, that of Eliza and that of Jack. The prose is sinking into academic prose as Stephenson can’t avoid lecturing his reader about details of the history of culture that he has learned or invented. Eliza remains an unbelievable character who gives hand jobs to cryptographers and, of course, is beautiful. You wonder if Stephenson has met a woman who has interests other than his? I am annoyed by the tendency of science fiction writers to create women characters who are not women, but are admirable men in babe’s bodies. The prose equivalent of Lara Croft – action hero with boobs.

That said, Stephenson plays well with history in this retro scifi book, especially the history of economics and science. It remains to be seen if he can pull all the threads together in the third novel. Is he going to pull off “the ideal history of computing, the internet and commerce”?