Katherine Hayles dedicates a chapter of Writing Machines to Tom Phillips’ original treated art book A Humument.
Humument began as A Human Document a forgotten novel that itself purports to be an edited version of the journals and scapbook of lovers. Phillips paints over the pages letting rivers of text flow through to produce a new material work of art and literature. Hayles uses Humument to bring forth the materiality of textuality – a materiality that helps us understand problems for electronic literature. There is always a technology of inscription, even when we forget it.
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