I supervising a reading course with Sean Luyk on Music Technology where we read Capturing Sound by Mark Katz. Katz proposes a frame work for understanding what he calls “phonograph effects” which are the effects on music by technologies like the phonograph. The framework is built around the physicality of performance and looks at:
- Portability: phonographs change how music can travel
- (In)visibility: recording technology makes the performers invisible
- Repeatability: phonograph records and later digital sampling allow a performance to be fixed so that it becomes canonical – repeatable – influencing even the original performer. Recording fixes performances and with sampling allows new music to be made out for samples
- Temporality: technology changes the length of tunes as artists fit their music into the medium like the 10 inch 78-speed record that could hold a max of 3 minutes 15 seconds.
- Manipulability: recording technologies then allow users to create new sounds manipulating recordings
Joanne, my hard cover muse, lends me books that win prizes (or almost win.)
Can a camera caress water? Anh Hung Tran is a Vietnamese director whose slow delicate movies seem less stories than excuses to collect drops of leaves. I’ve now seen 



