In issue three of intermÈdialitÈs, new journal about “history and theory of the arts, letters, and techniques”, there is an original article, Le centre d’indÈtermination : une esthÈtique de l’intÈractivitÈ by GrÈgory Chatonsky.
In it Chatonsky presents an theory of interactivity riffing on Bergson (the journal issue is titled “devenir-bergson”) and how the body is the possibility of causality and the new. He connects this to interactive art where what is new is that the “spect-acteur” have to move to cause the aesthetic experience.
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