The notion of poetic research emerges from a questioning of practice (design) which tries to locate parts of its creative drive so that it may be brought through in regard to research. The poetic in research can be seen as an attempt to develop a technicity of the “hunch”.
Can a tradition of reflecting on “poesis” (poetics – or the making of art) help us understand research/creation? Drew Paulin, reading my entry on Research/Creation, Again pointed me to a paper by Terence Rosenberg titled, “‘The Reservoir’: Towards a Poetic Model of Research in Design”. What is interesting is how for design students the challenge can be how to weave the creative into research projects, rather than the other way around. Further, a poetic model is, to some extent, always about creative practices, whatever else it is. The practice is part of the object of research/creation. (There is much else to reflect on too in this essay.)